Day 19 of Inktober was done entirely in @kwz.ink IG Mandarin with water and bleach washes.

Day 18 of Inktober is a cobalt poison bottle done entirely in Nick Stewart’s Randall ink.

Day 17 of Inktober very late indeed. I actually managed to sketch out the drawing on the 17th and the next three on their respective days, just no time to ink them. I plan to catch up over the next couple of days . This tomato frog was done in Papier Plume ink House of the Rising Sun, Colorverse Gluon and Krishna Inks Cinnamon. Big shout out to House of the Rising Sun which produces golden yellow to brilliant orange and flaming red when worked with water and repeated applications and the a lovely pink when bleach is introduced.

Day 16 of Inktober two days late due to relative visits and an autumn cold. The tree was picked out of a wash J. Herbin Emerald of Chivor ink with a brush and my new favorite glass nib pen dipped in bleach. I used bleach solutions of different strengths to get tones beyond pure white.

Day 15 of Inktober was actually completed on time, I was just too tired to wait for the ink to dry so I could erase the pencil lines. At 9 o’clock. Done in Iroshizuku Ink’s Chiku-rin and Fuyu-gaki plus Oblation’s housemade foraged walnut ink.

Day 14 of Inktober, about eight hours late. Drawn with a Moonman M2 with Iroshizuku Tsuki-yo ink.

Day 13 of Inktober done on the road with a Conklin flex point fountain pen loaded with Robert Oster’s Bronze. The washes were created by either pulling out color from the lines with brush and water or rubbing out quick hatch with the same. The reds were achieved by blotting the wash with a paper towel.

Day 12 of Inktober done in Iroshizuku Tsuki-yo and Private Reserve Gray Flannel. #inktober #inktober2018 #art #iroshizukuink

Day 11 of Inktober. I think a caltrop made to injure horses one of the crueler things (yet aesthetically pleasing, conflictingly enough). Done entirely in the amazing Cinnamon ink from Krishna Inks.

Another hand shot for this week’s page of Dicebox.